Decimo is a rapper affiliated with the Morning Glory label, a structure founded by DJ Bellek. Over the past few years, the label has established itself as an increasingly visible force within the French rap landscape, multiplying signings and expanding its roster with artists such as Bag Jeune B, Yoko, and Zé. Alongside Favé and ZKR, Morning Glory has built a strong, cohesive, and instantly recognizable artistic catalog.
Decimo first came to prominence with the three volumes of his Symphonia mixtape, a foundational project that laid the groundwork for his musical universe. After a quieter period, he made his return five months ago through a series of well-received singles. His two latest tracks, “DKR” and “Wiz”, driven by sharp, hard-hitting rhythms, have each surpassed several hundred thousand views on YouTube, confirming the growing interest of the audience.
Decimo unveils the highly orchestral “Oumar”!
Today, the rapper releases “Oumar”, a track that extends and deepens the symphonic dimension already central to his identity. Decimo asserts his artistic DNA with precision, blending power, control, and sonic ambition. He strikes once again with this decidedly orchestral piece.
The instrumental composition was handled by Lusoneo, Sm!le, and DJ Bellek. A key figure behind the project, Bellek—founder and artistic director of Morning Glory—needs little introduction. His work, particularly alongside ZKR, has been widely praised, with the artist himself emphasizing in interviews the importance of Bellek’s artistic vision. Lusoneo regularly collaborates with Bellek on several label artists, including Favé. As for Sm!le, he is well acquainted with Decimo’s universe, having already produced several tracks for him, including “Allen Walker”, “Grime Reaper #5”, and “Booby”.
The production stands out for its powerful symphonic atmosphere—both rhythmic and energetic—enhanced by samples of classical music. The result is an original, immersive, and highly effective soundscape. Over this backdrop, Decimo delivers a confident and hard-hitting egotrip, as evidenced by these striking punchlines: “Je sors du précipice, on va à la guerre, tu veux la bise” and “J’ai les couilles à Maman, comme dirait Yoko”.
The music video, shot in the neighborhood—particularly around Cartons Vides—was directed by Arthur Lvz. The Paris-based director has previously made a name for himself behind the camera on “Rêvez Bizarres” by Orelsan and has also collaborated with ZKR on the track “Bertebiev”.
