Home STAY IN CLIP Oxmo is “light as a feather.”

Oxmo is “light as a feather.”

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Oxmo Puccino is preparing to turn the final page of his musical journey with his ultimate album, La Hauteur de la Lune, set for release on October 17. Surrounded by prestigious guests such as MC Solaar, Vanessa Paradis, and Josman, the Time Bomb poet delivers a farewell filled with grace and clarity. Now in his fifties, Oxmo closes the circle with the elegance and lyricism that have defined his legacy.

Since his early days with the Time Bomb collective alongside Booba, marked by the explosive Pucc’ Fiction, the Parisian artist has always wielded his pen as his sharpest weapon. With Opéra Puccino (certified platinum) and L’Arme de paix, his youthful anger evolved into deep melancholy. A seasoned lyricist, he’s long balanced introspection and universality, opening his craft to new sonic horizons.

In the late 1990s, French rap—carried by acts like IAM, NTM, La FF, ATK, Mafia K’1 Fry, NAP, and the Secteur Ä—stood apart through its refined writing, rooted in the tradition of French chanson. More poetic, sometimes even more literary than its American counterpart, it often married wordplay and social awareness where others chased raw performance. And Oxmo remains one of the last guardians of that golden era of eloquence.

Today, the lines have blurred: French and American rap now share the same DNA—between trap, drill, and Afro-Latin influences. Yet while many aim to hit “hard,” Oxmo chooses to arrive “light.” He moves quietly, guided by a simple philosophy: elegance and meaning over noise and spectacle.

Oxmo is “light as a feather.”

The production of Magique, his latest track featuring Tuerie, bears the hallmark of the trio Pandrezz, Epektaze, and P.Prod. The same team also crafted Bécane by Yamê, a defining track for a new generation bridging rap and alternative music. Built around a soft piano sample, the boom bap-inspired composition contrasts its delicate tone with profound lyrical depth.

A socially conscious artist to the core

“Tourists and the poor take the same subway
They want to get rid of the ‘scum,’ but where will they put it?
Money’s good, but we’re all equal before death
The invisible guides me, and I thank them first.”

True to his reflective spirit, Oxmo offers a sharp critique of the “money reign” and the obsession with numbers that has come to dominate an increasingly dehumanized music industry:

“Today, numbers can be bought, the first home is in your mind
Since the rise of clicks, everything has a price
Beyond ten million, it’s no longer a crime.”

The music video, directed by Augure, extends this introspective mood. Set in a dimly lit room, Oxmo stands at the center, his calm and composed flow illuminating the darkness around him. A striking visual metaphor for an artist who, even in the shadows, continues to light up the scene through the power of his words.

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